Research

“The Soundlapse project: exploring spatiotemporal features of wetland soundscapes,” F. Otondo and A. Rabello. Leonardo, 55 (3), 367-271 (2022). – WoS (read)

“Characterization of sonic events present in natural-urban hybrid habitats using UMAP and SEDnet: The case of the urban wetlands,” V. Poblete, D Espejo, V. Vargas, F. Otondo & P. Huijse. Applied Science, 11, 8175 (2021). https://doi.org/10.3390/app11178175 – WoS (read)

“Creative Dispositions: Teaching for Creativity in Engineering Education,” A. Mestre and F. Otondo. Int. J. of Eng. Education, 37 (4), 915-924 (2021). – WoS (read)

“High-performance tools to generate and visualize a sonic time-lapse tool.” D. Espejo, V. Poblete, P. Hujse and F. Otondo. Proceedings of the 2021 International Computer Music Conference, Santiago, Chile, pp.398-401 (2021). (read). SCOPUS

"Aural spaces: exploring sensory perceptions in a site-specific event," F. Otondo and E. Osorio. AUS [Arquitectura / Urbanismo / Sustentabilidad], 30, 4-9 (2021).- DOI:10.4206/aus.2021.n30-02 – SCOPUS – (read)

“Using a sonic time-lapse method as a compositional tool,” F. Otondo and V. Poblete.Organised Sound, 25 (2), 198-204 (2020). – WoS – (read)

“Valdivia’s wetland soundscape,” F. Otondo. Leonardo Music Journal, 28, 99 (2018). – WoS (read)

Night studies‘ (2018), second monographic CD released by Sargasso records, London, England.

“Listening to wetland soundscapes,” F. Otondo. Leonardo Music Journal, 28, 50-52 (2018). – WoS (read)

"Paisajes sonoros reales e imaginarios," F. Otondo. Resonancias, 22 (42), 131-141 (2018). – WoS – (read)

“Using mobile sound to explore spatial relationships between dance and music performance,” F. Otondo. Digital Creativity, 29 (2-3), 115-128 (2018). – WoS – (read)

“Context-based composition in an interdisciplinary collaborative framework,” F. Otondo. Organised Sound, 22 (1), 93-100 (2017). – WoS – (read)