“The Soundlapse project: exploring spatiotemporal features of wetland soundscapes,” F. Otondo and A. Rabello. Leonardo, 55 (3), 367-271 (2022). – WoS (read)
Research
"Aural spaces: exploring sensory perceptions in a site-specific event," F. Otondo and E. Osorio. AUS [Arquitectura / Urbanismo / Sustentabilidad], 30, 4-9 (2021).- DOI:10.4206/aus.2021.n30-02 – SCOPUS – (read)
“Characterization of sonic events present in natural-urban hybrid habitats using UMAP and SEDnet: The case of the urban wetlands,” V. Poblete, D Espejo, V. Vargas, F. Otondo & P. Huijse. Applied Science, 11, 8175 (2021). https://doi.org/10.3390/app11178175 – WoS (read)
“Creative Dispositions: Teaching for Creativity in Engineering Education,” A. Mestre and F. Otondo. Int. J. of Eng. Education, 37 (4), 915-924 (2021). – WoS (read)
“Using a sonic time-lapse method as a compositional tool,” F. Otondo and V. Poblete.Organised Sound, 25 (2), 198-204 (2020). – WoS – (read)
“Listening to wetland soundscapes,” F. Otondo. Leonardo Music Journal, 28, 50-52 (2018). – WoS (read)
"Paisajes sonoros reales e imaginarios," F. Otondo. Resonancias, 22 (42), 131-141 (2018). – WoS – (read)
“Using mobile sound to explore spatial relationships between dance and music performance,” F. Otondo. Digital Creativity, 29 (2-3), 115-128 (2018). – WoS – (read)
“Valdivia’s wetland soundscape,” F. Otondo. Leonardo Music Journal, 28, 99 (2018). – WoS (read)
Night studies‘ (2018), second monographic CD released by Sargasso records, London, England.
“Exploring sonic landscapes through the use of spatial and temporal sampling techniques.” F. Otondo. Proceedings of the 2017 International Computer Music Conference, Shanghai, China, pp.488-491 (2017). (read). SCOPUS
“Context-based composition in an interdisciplinary collaborative framework,” F. Otondo. Organised Sound, 22 (1), 93-100 (2017). – WoS – (read)
"Utilizando el sonido móvil para explorar relaciones espaciales entre danza y música ," F. Otondo & J. P . Ayala. Coloquio sobre metodologías de Creación/Investigación Interdisciplinar: Arte, Cuerpo y Nuevas Tecnologías, Universidad de Chile (2016).
“Sound vest for dance performance.” F. Otondo & R. Torres. Proceedings of the 2016 International Computer Music Conference, Utrecht, The Netherlands, pp.290-293. (2016) (read). SCOPUS