“Music technology, composition teaching and employability skills,” F. Otondo. Journal of Music, Technology and Education, 9(3), 229-240 (2016).- SCOPUS – (read)
Research
‘Contemporanea 2016: Nuova Musica’ (2016), compilation CD released by Taukay Edizioni Musicali, Udine, Italy.
4300 km: grabaciones de campo de artistas chilenos‘ (2016), compilation CD realeased by TSONAMI records, Valparaíso, Chile.
Electroacoustic Music I/II’ (2016), compilation CD realeased by UNDAE records, Spain.
"Investigando relaciones espaciales entre danza y música," F. Otondo & R. Torres. Simposio sobre Creatividad, sonido y tecnología, Universidad Austral de Chile (2015).
“Wearable sound devices for dance and music.” F. Otondo & R. Torres. Proceedings of the 2015 International Computer Music Conference, Texas, USA, pp.310-314. (2015) (read). SCOPUS
“Wireless body-worn sound system for dance and music,” F. Otondo. Organised Sound, 20 (3), 340-348 (2015). (read) – WoS
Di algo…Pueblo Nuevo 10 aniversario‘ (2015), compilation CD released by Pueblo Nuevo Netlabel, Santiago, Chile.
Influence of temporal attributes in timbre streaming, Saarbrücken: Lambert Academic Publishing (2014).
"Optimización de un sistema de sonido móvil para danza y música," F. Otondo & R. Torres. IX Congreso Iberamericano de Acústica, Valdivia, Chile (2014).
"Music technology composition and employability skills," Eighth Biennial International Conference on Music since 1900, Liverpool, UK (2013).
“Sound and places behind Enrique Lihn’s poetry,” Contemporary Poetry in Public Spaces, Lancaster, UK (2013).
"Composition and employability skills," International conference on compositional methods in electroacoustic music, Sheffield, UK (2013).
‘Tutuguri’ (2013), first monographic CD released by Sargasso records, London, England.