“Context-based composition in an interdisciplinary collaborative framework,” F. Otondo. Organised Sound, 22 (1), 93-100 (2017). – WoS – (read)
Research
“Sound vest for dance performance.” F. Otondo & R. Torres. Proceedings of the 2016 International Computer Music Conference, Utrecht, The Netherlands, pp.290-293. (2016) (read). SCOPUS
"Utilizando el sonido móvil para explorar relaciones espaciales entre danza y música ," F. Otondo & J. P . Ayala. Coloquio sobre metodologías de Creación/Investigación Interdisciplinar: Arte, Cuerpo y Nuevas Tecnologías, Universidad de Chile (2016).
‘Contemporanea 2016: Nuova Musica’ (2016), compilation CD released by Taukay Edizioni Musicali, Udine, Italy.
4300 km: grabaciones de campo de artistas chilenos‘ (2016), compilation CD realeased by TSONAMI records, Valparaíso, Chile.
Electroacoustic Music I/II’ (2016), compilation CD realeased by UNDAE records, Spain.
“Music technology, composition teaching and employability skills,” F. Otondo. Journal of Music, Technology and Education, 9(3), 229-240 (2016).- SCOPUS – (read)
"Investigando relaciones espaciales entre danza y música," F. Otondo & R. Torres. Simposio sobre Creatividad, sonido y tecnología, Universidad Austral de Chile (2015).
“Wearable sound devices for dance and music.” F. Otondo & R. Torres. Proceedings of the 2015 International Computer Music Conference, Texas, USA, pp.310-314. (2015) (read). SCOPUS
Di algo…Pueblo Nuevo 10 aniversario‘ (2015), compilation CD released by Pueblo Nuevo Netlabel, Santiago, Chile.
“Wireless body-worn sound system for dance and music,” F. Otondo. Organised Sound, 20 (3), 340-348 (2015). (read) – WoS
Influence of temporal attributes in timbre streaming, Saarbrücken: Lambert Academic Publishing (2014).
"Optimización de un sistema de sonido móvil para danza y música," F. Otondo & R. Torres. IX Congreso Iberamericano de Acústica, Valdivia, Chile (2014).
"Music technology composition and employability skills," Eighth Biennial International Conference on Music since 1900, Liverpool, UK (2013).
“Sound and places behind Enrique Lihn’s poetry,” Contemporary Poetry in Public Spaces, Lancaster, UK (2013).