Research

“Recent SpatialisationTrends in Electroacoustic Music,” F. Otondo. Proceedings of the Electroacoustic Music Studies Conference, Leicester, UK (2007). (read)

“Creating Sonic Spaces: an interview with Natasha Barrett, ” F. Otondo. Computer Music Journal, 31 (2), pp. 10-19, Summer (2007). – WoS – (read)

"Interview with Francisco López," F. Otondo. Sonic Arts Network Magazine, October issue (2006).

“Shaping sounds in York Minster,” F. Otondo. Proceedings of the Doctoral DRMN Conference, London, UK (2006). (read)

“Some considerations for spatial design and concert projection with surround 5.1,” F. Otondo. Proceedings of the Digital Music Research Network Conference, Glasgow, UK (2005). (read)

“The combination of visual and sonic generative processes in a digital landscape”, F. Otondo and T. Petersen. Proceedings of the 2005 International Computer Music Conference, Barcelona, Spain, pp. 299-302 (2005). (read) SCOPUS

”The interaction between room and musical instruments studied by multi-channel auralization”, J. H. Rindel and F. Otondo. Proceedings Forum Acusticum, Budapest, Hungary, CD-ROM (2005). (read) SCOPUS

“A New Method for the Radiation Representation of Musical Instruments in Auralizations,” F. Otondo and J. H Rindel. Acta Acustica united with Acustica Journal, 5, vol. 91, pp. 902-906 (2005). – WoS – (read)

“Sobre la realización de Zapping Zappa,” F. Otondo.  Chilean Electroacoustic Music Association (2004) (in Spanish). (read)  

“Sobre la realización de TRAMA,” F. Otondo.  Chilean Electroacoustic Music Association (2004) (in Spanish). (read)

“Sound Source Representation for Auralization,” J. H. Rindel, F. Otondo and C. L. Christensen. International Symposium on Room Acoustics: Design and Science, Hyogo, Japan, CD-ROM (2004). (read)

“Three Strategies for a Diagonal Sound Installation,” F. Otondo and J. Soto. Journal of Music and Meaning, 2, 6, Fall (2004). (read)

“The Influence of the Directivity of Musical Instruments in a Room,” F. Otondo and J. H. Rindel, Acta Acustica united with Acustica Journal, 6, vol. 90, pp.1178-1184 (2004). – WoS – (read)

“Comparison of Directional Sources in Simulating a Soprano Voice,” L. Parati and F. Otondo.  Proceedings of the Stockholm Music Acoustic Conference, Stockholm, Sweden, pp. 487-490 (2003). (read)