Research

“Shaping sounds in York Minster,” F. Otondo. Proceedings of the Doctoral DRMN Conference, London, UK (2006). (read)

”The interaction between room and musical instruments studied by multi-channel auralization”, J. H. Rindel and F. Otondo. Proceedings Forum Acusticum, Budapest, Hungary, CD-ROM (2005). (read) SCOPUS

“Some considerations for spatial design and concert projection with surround 5.1,” F. Otondo. Proceedings of the Digital Music Research Network Conference, Glasgow, UK (2005). (read)

“The combination of visual and sonic generative processes in a digital landscape”, F. Otondo and T. Petersen. Proceedings of the 2005 International Computer Music Conference, Barcelona, Spain, pp. 299-302 (2005). (read) SCOPUS

“A New Method for the Radiation Representation of Musical Instruments in Auralizations,” F. Otondo and J. H Rindel. Acta Acustica united with Acustica Journal, 5, vol. 91, pp. 902-906 (2005). – WoS – (read)

“Sobre la realización de Zapping Zappa,” F. Otondo.  Chilean Electroacoustic Music Association (2004) (in Spanish). (read)  

“Sobre la realización de TRAMA,” F. Otondo.  Chilean Electroacoustic Music Association (2004) (in Spanish). (read)

“Sound Source Representation for Auralization,” J. H. Rindel, F. Otondo and C. L. Christensen. International Symposium on Room Acoustics: Design and Science, Hyogo, Japan, CD-ROM (2004). (read)

“Three Strategies for a Diagonal Sound Installation,” F. Otondo and J. Soto. Journal of Music and Meaning, 2, 6, Fall (2004). (read)

“The Influence of the Directivity of Musical Instruments in a Room,” F. Otondo and J. H. Rindel, Acta Acustica united with Acustica Journal, 6, vol. 90, pp.1178-1184 (2004). – WoS – (read)

“Comparison of Directional Sources in Simulating a Soprano Voice,” L. Parati and F. Otondo.  Proceedings of the Stockholm Music Acoustic Conference, Stockholm, Sweden, pp. 487-490 (2003). (read)

“Perceived Influence of Changes in Musical Instrument Directivity Representation,” F. Otondo and B. Kirkwood. Proceedings of the Stockholm Music Acoustic Conference, Stockholm, Sweden , pp. 655-658 (2003) (read).

"Using the Convolution to Blend Brass Timbres,” F. Otondo. Journal of Music and Meaning, 1, 4, Fall (2003). (read)

“Directivity of Musical Instruments in a Real Performance Situation,” F. Otondo, J. H. Rindel, R. Caussé, O. Misdariis and P. de la Cuadra. Proceedings of the International Symposium on Musical Acoustics (ISMA), Mexico City, Mexico, pp. 312-318, CD-ROM (2002). (read)