A team of researchers from Universidad Austral de Chile (Poblete, Aillapi, Duarte, Veas and Otondo) studied how to best classify data — sounds, images — once artificial intelligence has compressed…
Researchers from the Soundlapse project, together with André Rabello-Mestre from the University of Bergen, have recently published a scientific article in the international Web of Science journal Sustainability, dedicated to…
A new article documenting the results of the project’s work related to virtual reality has recently been published in the WoS Q1 journal “Applied Sciences.” The work was led by…
The article “Applying Fundamental Soundscape Concepts as a Framework for Introductory Acoustical Engineering and Music Courses” was recently published in the WoS International Journal of Engineering Education. The text analyzes…
Listening to the Anthropocene: A Queda do Céu. A. Rabello-Mestre y F. Otondo. Computer Music Journal, 46:1/2, 25-39 (2022). – WoS (Read)
“Method for passive acoustic monitoring of bird communities using UMAP and a deep neural network,”. Morales, G., Vargas, V., Espejo, D., Poblete, V., Tomasevic, J. A., Otondo, F., & Navedo, J. G. Ecological Informatics, 72, 101909 (2022) – WoS.
“The Soundlapse project: exploring spatiotemporal features of wetland soundscapes,” F. Otondo and A. Rabello. Leonardo, 55 (3), 367-271 (2022). – WoS (read)
“Aural spaces: exploring sensory perceptions in a site-specific event,” F. Otondo and E. Osorio. AUS [Arquitectura / Urbanismo / Sustentabilidad], 30, 4-9 (2021).- DOI:10.4206/aus.2021.n30-02 – SCOPUS – (access article)
“Characterization of sonic events present in natural-urban hybrid habitats using UMAP and SEDnet: The case of the urban wetlands,” V. Poblete, D Espejo, V. Vargas, F. Otondo & P. Huijse. Applied Science, 11, 8175 (2021). https://doi.org/10.3390/app11178175 – WoS (read)
“Creative Dispositions: Teaching for Creativity in Engineering Education,” A. Mestre and F. Otondo. Int. J. of Eng. Education, 37 (4), 915-924 (2021). – WoS (read)
“Using a sonic time-lapse method as a compositional tool,” F. Otondo and V. Poblete.Organised Sound, 25 (2), 198-204 (2020). – WoS – (read)
“Using mobile sound to explore spatial relationships between dance and music performance,” F. Otondo. Digital Creativity, 29 (2-3), 115-128 (2018). – WoS – (read)
“Valdivia’s wetland soundscape,” F. Otondo. Leonardo Music Journal, 28, 99 (2018). – WoS (read)
“Listening to wetland soundscapes,” F. Otondo. Leonardo Music Journal, 28, 50-52 (2018). – WoS (read)
"Paisajes sonoros reales e imaginarios," F. Otondo. Resonancias, 22 (42), 131-141 (2018). – WoS – (read)