“Perceived Influence of Changes in Musical Instrument Directivity Representation,” F. Otondo and B. Kirkwood. Proceedings of the Stockholm Music Acoustic Conference, Stockholm, Sweden , pp. 655-658 (2003) (read).
Research
"Using the Convolution to Blend Brass Timbres,” F. Otondo. Journal of Music and Meaning, 1, 4, Fall (2003). (read)
“New Method for the Directional Representation of Musical Instruments in Auralizations,” Felipe Otondo and Jens H. Rindel. International Computer Music Conference, Göteborg, Sweden, pp. 248-251 (2002). (read)
“Directivity of Musical Instruments in a Real Performance Situation,” F. Otondo, J. H. Rindel, R. Caussé, O. Misdariis and P. de la Cuadra. Proceedings of the International Symposium on Musical Acoustics (ISMA), Mexico City, Mexico, pp. 312-318, CD-ROM (2002). (read)
“Directional Representation of a Clarinet in a Room,” F. Otondo and J.H. Rindel. Proceedings of the Nordic-Baltic Acoustical Meeting , Kgs. Lyngby, Denmark, pp. 113-116 (2002). (read)
“Directional Patterns and Recordings of Musical Instruments in Auralizations,” F. Otondo, J. H. Rindel and C. L. Christensen. Proceedings of MOSART workshop on Current Research Directions in Computer Music, Barcelona, Spain, pp. 230-232 (2001). (read)
‘Influence of temporal attributes in timbral streaming’, Masters Dissertation, Aalborg University, Denmark (2000). (read)
“Diseño de módulos de absorción para baja frequencia mediante la teoría de resonadores acoplados,” Felipe Otondo. Second Chilean symposium on Acoustics and sound at Universidad Vicente Perez Rosales, Santiago, Chile (1998).