“Context-based composition in an interdisciplinary collaborative framework,” F. Otondo. Organised Sound, 22 (1), 93-100 (2017). – WoS – (read)
Peer-reviewed journal articles
“Music technology, composition teaching and employability skills,” F. Otondo. Journal of Music, Technology and Education, 9(3), 229-240 (2016).- SCOPUS – (read)
“Wireless body-worn sound system for dance and music,” F. Otondo. Organised Sound, 20 (3), 340-348 (2015). (read) – WoS
“Rediscovering Artaud’s sonic order,” F. Otondo. Journal of Music and Meaning, 9 (1), 3-10, Winter (2010). (read)
“Contemporary trends in the use of space in electroacoustic music,” F. Otondo. Organised Sound, 13 (1), 77-81 (2008).- WoS – (read)
“Creating Sonic Spaces: an interview with Natasha Barrett, ” F. Otondo. Computer Music Journal, 31 (2), pp. 10-19, Summer (2007). – WoS – (read)
“A New Method for the Radiation Representation of Musical Instruments in Auralizations,” F. Otondo and J. H Rindel. Acta Acustica united with Acustica Journal, 5, vol. 91, pp. 902-906 (2005). – WoS – (read)
“Three Strategies for a Diagonal Sound Installation,” F. Otondo and J. Soto. Journal of Music and Meaning, 2, 6, Fall (2004). (read)
“The Influence of the Directivity of Musical Instruments in a Room,” F. Otondo and J. H. Rindel, Acta Acustica united with Acustica Journal, 6, vol. 90, pp.1178-1184 (2004). – WoS – (read)
"Using the Convolution to Blend Brass Timbres,” F. Otondo. Journal of Music and Meaning, 1, 4, Fall (2003). (read)