“Rediscovering Artaud’s sonic order,” F. Otondo. Journal of Music and Meaning, 9 (1), 3-10, Winter (2010). (read)
Peer-reviewed journal articles
“Contemporary trends in the use of space in electroacoustic music,” F. Otondo. Organised Sound, 13 (1), 77-81 (2008).- WoS – (read)
“Creating Sonic Spaces: an interview with Natasha Barrett, ” F. Otondo. Computer Music Journal, 31 (2), pp. 10-19, Summer (2007). – WoS – (read)
“A New Method for the Radiation Representation of Musical Instruments in Auralizations,” F. Otondo and J. H Rindel. Acta Acustica united with Acustica Journal, 5, vol. 91, pp. 902-906 (2005). – WoS – (read)
“Three Strategies for a Diagonal Sound Installation,” F. Otondo and J. Soto. Journal of Music and Meaning, 2, 6, Fall (2004). (read)
“The Influence of the Directivity of Musical Instruments in a Room,” F. Otondo and J. H. Rindel, Acta Acustica united with Acustica Journal, 6, vol. 90, pp.1178-1184 (2004). – WoS – (read)
"Using the Convolution to Blend Brass Timbres,” F. Otondo. Journal of Music and Meaning, 1, 4, Fall (2003). (read)