Publications - Felipe Otondo      

             

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Peer-reviewed journal articles

"Using mobile sound to explore spatial relationships between dance and music performance," F. Otondo. Currently under review.
"Context-based composition in an interdisciplinary collaborative framework," F. Otondo. Organised Sound, 22 (1), 93-100 (2017). (read) - ISI -

"Music technology, composition teaching and employability skills," F. Otondo. Journal of Music, Technology and Education, 9(3), 229-240 (2016). (read) - SCOPUS -

"Wireless body-worn sound system for dance and music," F. Otondo. Organised Sound, 20 (3), 340-348 (2015). (read) - ISI -
"Using spatial sound as an interdisciplinary teaching tool," F. Otondo. Journal of Music, Technology and Education, 6(2), 179-190 (2013). (read) - SCOPUS -
“Rediscovering Artaud’s sonic order,” F. Otondo. Journal of Music and Meaning, 9 (1), 3-10, Winter (2010). (read)

"Contemporary trends in the use of space in electroacoustic music," F. Otondo. Organised Sound, 13 (1), 77-81 (2008). (read) - ISI -

“Creating Sonic Spaces: an interview with Natasha Barrett, ” F. Otondo. Computer Music Journal, 31 (2), pp. 10-19, Summer (2007). (read) - ISI -

“A New Method for the Radiation Representation of Musical Instruments in Auralizations,” F. Otondo and J. H Rindel. Acta Acustica united with Acustica Journal, 5, vol. 91, pp. 902-906 (2005). (read) - ISI -

“Three Strategies for a Diagonal Sound Installation,” F. Otondo and J. Soto. Journal of Music and Meaning, 2, 6, Fall (2004). (read)

“The Influence of the Directivity of Musical Instruments in a Room,” F. Otondo and J. H. Rindel, Acta Acustica united with Acustica Journal, 6, vol. 90, pp.1178-1184 (2004). (read) - ISI -

"Using the Convolution to Blend Brass Timbres,” F. Otondo. Journal of Music and Meaning, 1, 4, Fall (2003). (read)

 
Books
Influence of temporal attributes in timbre streaming, Saarbrücken: Lambert Academic Publishing (2014).

 

CDs, DVDs and netlabel releases

Contemporanea 2016: Nuova Musica’ (2016), compilation CD released by Taukay Edizioni Musicali.
'4300 km: grabaciones de campo de artistas chilenos' (2016), compilation CD realeased by TSONAMI records.
'Electroacoustic Music I/II' (2016), compilation CD realeased by UNDAE records.
'Di algo...Pueblo Nuevo 10 aniversario' (2015), compilation CD released by Pueblo Nuevo Netlabel.
'Tutuguri' (2013), monographic CD released by Sargasso records.
'Musica Nova 2012' (2012), compilation CD relased by the Czech Music Council.
'Sound interpretations' - Dedication to Julio Cortázar' (2012), compilation released by Haze Netlabel.
'Mute sound 2012' (2012), compilation CD released by Mute Sound Records.

‘Panorama electroacústico 2010’ (2011), compilation CD released by Pueblo Nuevo Netlabel.

‘Oscilación’ (2011), compilation DVD released by Rainer Krause and Universidad de Chile.

‘Contemporanea 2008’ (2008), compilation CD released by Taukay Edizioni Musicali.

‘50 años de música electroacústica en Chile’ (2006), compilation CD released by Pueblo Nuevo Netlabel.

 

Conference articles

"Sound vest for dance performance." F. Otondo & R. Torres. Proceedings of the 2016 International Computer Music Conference, Utrecht, The Netherlands, pp.290-293. (2016) (read). SCOPUS
"Utilizando el sonido móvil para explorar relaciones espaciales entre danza y música ," F. Otondo & J. P . Ayala. Coloquio sobre metodologías de Creación/Investigación Interdisciplinar: Arte, Cuerpo y Nuevas Tecnologías, Universidad de Chile (2016).
"Investigando relaciones espaciales entre danza y música," F. Otondo & R. Torres. Simposio sobre Creatividad, sonido y tecnología, Universidad Austral de Chile (2015).
"Wearable sound devices for dance and music." F. Otondo & R. Torres. Proceedings of the 2015 International Computer Music Conference, Texas, USA, pp.310-314. (2015) (read). SCOPUS
"Optimización de un sistema de sonido móvil para danza y música," F. Otondo & R. Torres. IX Congreso Iberamericano de Acústica, Valdivia, Chile (2014).
"Music technology composition and employability skills," Eighth Biennial International Conference on Music since 1900, Liverpool, UK (2013).
"Sound and places behind Enrique Lihn's poetry," Contemporary Poetry in Public Spaces, Lancaster, UK (2013).
"Composition and employability skills," International conference on compositional methods in electroacoustic music, Sheffield, UK (2013).

“Spatial sound design as an interdisciplinary teaching tool,” F. Otondo. Leeds International Festival for Innovations in Music Production and Composition, Leeds, UK (2012).

“Flexible spatial design for dance performance,” F. Otondo. Proceedings of the 2011 International Computer Music Conference, Huddersfield, UK, pp. 304-307 (2011). (read)

"Deconstructing the urban soundscape of Mexico City," Paper presented at the Seventh International Conference of Music since 1900, Lancaster, UK (2011).
“Mobile sources in two music theatre works,” F. Otondo. Proceedings of the 2010 International Computer Music Conference, New York, USA, pp. 446-449 (2010). (read) SCOPUS
"Recent SpatialisationTrends in Electroacoustic Music," F. Otondo. Proceedings of the Electroacoustic Music Studies Conference, Leicester, UK (2007). (read)

"Interview with Francisco López," F. Otondo. Sonic Arts Network Magazine, October issue (2006).

"Shaping sounds in York Minster," F. Otondo. Proceedings of the Doctoral DRMN Conference, London, UK (2006). (read)
"Some considerations for spatial design and concert projection with surround 5.1," F. Otondo. Proceedings of the Digital Music Research Network Conference, Glasgow, UK (2005). (read)

"The combination of visual and sonic generative processes in a digital landscape”, F. Otondo and T. Petersen. Proceedings of the 2005 International Computer Music Conference, Barcelona, Spain, pp. 299-302 (2005). (read) SCOPUS

”The interaction between room and musical instruments studied by multi-channel auralization”, J. H. Rindel and F. Otondo. Proceedings Forum Acusticum, Budapest, Hungary, CD-ROM (2005). (read) SCOPUS

“Sobre la realización de Zapping Zappa,” F. Otondo.  Chilean Electroacoustic Music Association (2004) (in Spanish). 

“Sobre la realización de TRAMA,” F. Otondo.  Chilean Electroacoustic Music Association (2004) (in Spanish).

“Sound Source Representation for Auralization,” J. H. Rindel, F. Otondo and C. L. Christensen. International Symposium on Room Acoustics: Design and Science, Hyogo, Japan, CD-ROM (2004). (read)

“Comparison of Directional Sources in Simulating a Soprano Voice,” L. Parati and F. Otondo.  Proceedings of the Stockholm Music Acoustic Conference, Stockholm, Sweden, pp. 487-490 (2003). (read)

“Perceived Influence of Changes in Musical Instrument Directivity Representation,” F. Otondo and B. Kirkwood. Proceedings of the Stockholm Music Acoustic Conference, Stockholm, Sweden , pp. 655-658 (2003) (read).

“Directivity of Musical Instruments in a Real Performance Situation,” F. Otondo, J. H. Rindel, R. Caussé, O. Misdariis and P. de la Cuadra. Proceedings of the International Symposium on Musical Acoustics (ISMA), Mexico City, Mexico, pp. 312-318, CD-ROM (2002). (read)

“Directional Representation of a Clarinet in a Room,” F. Otondo and J.H. Rindel. Proceedings of the Nordic-Baltic Acoustical Meeting , Kgs. Lyngby, Denmark, pp. 113-116 (2002). (read)

“New Method for the Directional Representation of Musical Instruments in Auralizations,” Felipe Otondo and Jens H. Rindel. International Computer Music Conference, Göteborg, Sweden, pp. 248-251 (2002). (read)

“Directional Patterns and Recordings of Musical Instruments in Auralizations,” F. Otondo, J. H. Rindel and C. L. Christensen. Proceedings of MOSART workshop on Current Research Directions in Computer Music, Barcelona, Spain, pp. 230-232 (2001). (read)

“DiseĖo de módulos de absorción para baja frequencia mediante la teoría de resonadores acoplados,” Felipe Otondo. Second Chilean symposium on Acoustics and sound at Universidad Vicente Perez Rosales, Santiago, Chile (1998).  

     
Reports    
'Influence of temporal attributes in timbral streaming', Masters Dissertation, Aalborg University, Denmark(2000). (read)    
     
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